Historical overview
Makar Bishop Barkhudaryants provides insights into the monastery, stating: "Situated atop the ridge of the same mountain range, the monastery lies within the villages of Khachmach and Msmnai. Constructed in the architectural style of an arched church, its ancient origins are evident from the foundational structure. Over time, renovations have been undertaken using white uncut stones. The monastery comprises a single apse, three windows, and a west-facing door, adorned with a cross-decorated stage, each serving as a memorial to distinct individuals. Its dimensions measure 9.18 meters in length and 6.25 meters in width" (Barkhutareants, 1895, 101-102). However, clear information regarding the construction of the Surb Astvatsatsin Church within the monastery is lacking.
In his work "Varanda," E. Lalayan also discusses the Surb Astvatsatsin Church of Shoshkavank, detailing its location and dimensions: "Situated atop the mountain peak, which stands at an elevation of 4669 feet, the monastery spans between the villages of Khachmach and Msmnai. The church, measuring 9 meters in length and built upon an arch, is accompanied by a monastery that extends 6 meters in width. It features a tabernacle, three windows, and a west-facing door. Additionally, within the gavit, several trees are present, revered for their sacred significance" (Lalayan, 1897, 51).
According to some researchers, the ritual structure at this site dates back to the Middle Ages. Over the subsequent centuries, similar to numerous other monuments, the monastery fell victim to destruction due to enemy raids (Barkhutareants, 1895, 101-102). The current church was reconstructed in the 17th century. Furthermore, the stones from the previous structures, along with earlier khachkars and tombstones, were utilized in the construction of the walls.
Architectural-compositional examination
The church is part of a series of single-nave structures, comprising a rectangular hall and an eastern tabernacle. Its vaulted roof is supported by a pair of gables, while the stage is adorned with cross sculptures (Fig. 4). Surrounding the church, one can observe the remnants of demolished buildings, likely indicating the former presence of the gavit and ancillary structures.
